Dama Gallery presents a solo exhibition titled "Subverting the Gaze" by Zara Monet which explores power dynamics and queer feminism.

In the vibrant heart of Los Angeles, artist Zara Monet, adorned in a striking pink outfit that echoes the thematic vibrancy of her upcoming exhibitions, crafts her latest masterpieces. Her studio, a dynamic space brimming with layered, intricate paintings, is a visual testament to the rich tapestry of historical artistry and contemporary themes that define her work. Known for her evocative Old Master style, Monet interlaces deep themes of power dynamics, queer feminism, and provocative perspectives into each brushstroke.

This summer promises to be a pivotal period for Monet, with her works featured in the “Pink Tide” exhibition at Dama Gallery in Ventura, California, from June 1 to August 3, 2024. Simultaneously, her solo exhibition “Subverting the Gaze” also presented by Dama Gallery, will extend from May 20 to August 20, offering a broader audience a digital window into her unique world. These shows collectively highlight Monet’s commitment to challenging traditional narratives and inviting viewers into a conversation that spans the personal to the political, a hallmark of her deeply introspective and culturally resonant approach to art.

The centerpiece of our conversation, and indeed the focal point of both the upcoming “Pink Tide” exhibition and her cover feature for The Bureau of Queer Art, Volume 4, was Zara Monet’s evocative painting, “Matriarchy.” This powerful artwork captures two female figures intertwined against a profoundly saturated red background that seems to pulse with a life of its own. The deliberate placement of their hands—one pulling upward, the other pressing downward—visually encapsulates the intricate power dynamics that Monet frequently explores.

Reflecting on the personal origins of “Matriarchy,” Monet shared, “In this painting, I was thinking about my relationship with my mom. It’s a complex relationship with different power dynamics that we’ve dealt with our whole life.” This personal anecdote blooms into a broader examination of matriarchal versus patriarchal power structures, challenging viewers to reconsider traditional narrative arcs and perspectives, particularly the pervasive male gaze in art.

Monet further elaborates on the thematic core of the piece, saying, “Most of my work subverts the traditional mode of viewing, which is often a male gaze. ‘Matriarchy’ flips this on its head, offering a strong female stance and inviting the viewer to gaze through a lens of queer feminism.” This intention is palpable in the painting’s atmosphere, where the figures interact with each other and seem to engage the viewer in a silent dialogue about authority, influence, and the subtleties of human connection.

“Matriarchy” serves not only as a reflection of Monet’s personal experiences but also as a metaphor for more extensive societal interactions. Through this work, she invites audiences to explore power dynamics within the confines of personal relationships and as a pervasive force shaping interactions in broader social, economic, and political spheres.

Zara Monet’s artistic process is a meticulous blend of classical atelier precision and contemporary experimentation, culminating in creations that transcend the traditional boundaries of oil painting. “I treat each canvas like a digital screen, layering colors and textures until the surface achieves a jewel-like quality that almost tricks the eye into seeing a digital creation,” Monet explains. This approach not only enhances the visual impact of her work but also imbues it with a multi-dimensional quality that invites deeper contemplation.

Her technique involves a thorough process of building up layers of paint, each adding to the piece’s narrative complexity. “I start with a detailed underpainting that establishes the tonal composition, and then layer colors meticulously, allowing each to settle and interact in a way that brings the narrative to life,” she describes. This layered approach is evident in her handling of light and texture, which seem to glow and pulsate from within the canvas, giving each piece a vibrant, almost living presence.

Monet also highlights the dual influence of her academic training and engagement with modern art forms: “My background in classical painting taught me the rigor of the Old Masters, but my engagement with contemporary mediums and themes pushes me to break those boundaries.” She continues, “In my paintings, you might see the precision of an atelier-trained artist, but the narrative and execution are influenced by digital art, street art, and the raw spontaneity of modern visual culture.” This fusion not only defines her unique style but also enriches the themes of power dynamics and feminism that permeate her work, making each painting a rich tapestry of historical homage and contemporary critique.

Throughout her career, Monet has consistently explored themes of queer feminism. Identifying as queer herself, she considers her daily life and the act of painting as intertwined acts of advocacy. Her art becomes a medium through which she navigates and disrupts preconceived notions about gender and sexuality. “My everyday existence is a pride march,” she states, highlighting the personal nature of her work as a reflection of her identity.

Looking ahead, Monet’s schedule remains bustling with anticipation. Her work will be featured in various exhibitions, including a notable presence at the Bakersfield Museum of Art and a solo exhibition at the Billis Williams Gallery in Los Angeles. Each venue provides her with a new stage to showcase her evolving series, further exploring the themes central to her artistic ethos.

Zara Monet’s artistry is a vibrant intersection of classical technique and contemporary themes, challenging the viewer to engage with complex dialogues on power, identity, and visibility. As her works take center stage in the “Pink Tide” exhibition at Dama Gallery and her online solo show “Subverting the Gaze” on Artsy.net, Monet invites us into a world where the lines between traditional and modern perspectives blur, creating a dynamic platform for critical reflection and conversation.

Her detailed, layered canvases and deep thematic explorations offer more than just visual stimulation—they provoke a reevaluation of societal structures and personal interactions. As Monet’s exhibitions approach, they promise to not only showcase her unique artistic vision but also to stir the minds and hearts of her audience, encouraging a deeper appreciation for the nuances of queer feminist art.

For those intrigued by the stories behind Monet’s evocative creations, the full interview provides even richer insights into her process and inspirations. Available as part of The Bureau of Queer Art podcast, this comprehensive conversation can be accessed for free on all podcasting platforms. Listeners are encouraged to subscribe, share, like, and comment, supporting the podcast and promoting the visibility and appreciation of queer arts in broader cultural conversations. Join us in exploring these compelling narratives and help amplify the voices that redefine art and identity in our contemporary world.

ARTIST

Zara Monet was raised in an eccentric art family in Thousand Oaks, California. She received a BA from UCLA and an MFA from LCAD, studying under acclaimed artist and art critiques such as Lari Pittman, Barbara Kruger, Catherine Opie and Peter Frank. She was recently awarded 1st at LA Artcore’s Juried show, celebrated in Huffington Post and published in Manifest and Juxtapoz. Her credentials also include numerous national and international art residencies, solo and juried group exhibitions. She works as a college art professor at California State University, Northridge, Moorpark College and Ventura College.

Artwork details and collector inquiries are available on ARTSY, click below.

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SOLO FEATURE

May 20 - August 20, 2024

GALLERY DATES

PINK TIDE, June 1 - August 3, 2024

LOCATION

1793 E Main Street, Ventura CA 93001

OPENING RECEPTION

June 1 , 2024 6-8p

GALLERY HOURS

Saturdays 12-3P

Weekdays By Appointment