Infinite Window II
Infinite Window I
Crack The Code
Amenda Corso | Des Moines, IA
2017 | Acrylic on Paper, Wood Panel Mount
14" x 11" | $400
This painting is rendered with the assistance of a robotic painting device I invented called "Manibus." Manibus is a wireless bot that is controlled remotely by a motion-sensing device worn by a dancer. Thereby, the physical and ephemeral dynamics of dance are digitally translated into a painting.
Memory and Static
Amenda Corso | Des Moines, IA
2017 | Acrylic on Paper, Wood Panel Mount
14" x 11" | $400
This painting is rendered with the assistance of a robotic painting device I invented called "Manibus." Manibus is a wireless bot that is controlled remotely by a motion-sensing device worn by a dancer. Thereby, the physical and ephemeral dynamics of dance are digitally translated into a painting.
Quartet
Amenda Corso | Des Moines, IA
2017 | Acrylic on Paper, Wood Panel Mount
14" x 11" | $400
This painting is rendered with the assistance of a robotic painting device I invented called "Manibus." Manibus is a wireless bot that is controlled remotely by a motion-sensing device worn by a dancer. Thereby, the physical and ephemeral dynamics of dance are digitally translated into a painting.
Inside Out
Jenny Reddin | Healsville, Australia
2017 | Mixed Media on Canvas
30" C | $1650
"Eyes Wide Open is a series of works that is inspired by the world around me and the way I react to what I see. The works reflect the whole range of emotions from joy and delight to anger, regret and fear. Many of the works have an environmental theme and relate to my anxiousness about global warming." -Jenny Reddin
Wide Open
Jenny Reddin | Healsville, Australia
2017 | Mixed Media on Canvas
30" C | $1650
"Eyes Wide Open is a series of works that is inspired by the world around me and the way I react to what I see. The works reflect the whole range of emotions from joy and delight to anger, regret and fear. Many of the works have an environmental theme and relate to my anxiousness about global warming." -Jenny Reddin
Say My Name
Indirect
You Can't Keep Spring From Coming
Linda O'Niell | Layfayette, CO
2015 | Acrylic on Canvas
48" x 48" | $3000
SHOP
Off the Rails
Charles Magallanes | Oxnard, CA
2016 | Acrylic on Canvas
48" x 60" | $2200
SHOP
In The River
Bronwyn Strickland | Dolores, CO
2016 | Mixed Media
40" x 30" | $1,600
"In The River" represents the wise part of our psyche that understands cycles and the seasons. This part of us does not fear death, but flows gracefully through the landscapes of time, knowing that each individual river becomes one with the collective upon entering the ocean. -Bronwyn Strickland
Next Level Woman
Bronwyn Strickland | Dolores, CO
2017 | Mixed Media
40" x 30" | $1600
"Next Level Woman" is a nonrepresentational view of the feminine, with gold in her mind, she continuously returns to the deep transformation in her breast. Capable of owning her faults and her achievements, she shows up boldly in the world. -Bronwyn Strickland
Grid Painting #1
Inside
Prosperous
SHEAR_
Lara Nasser | Brooklyn, NY
2016 | Acrylic, Shellack and Fake Fur on Wood
39" x 55" x 2" | $3500
Variations on a thumbnail from a 1990's clipart catalog found in Beirut, Lebanon.
Solitude
Mardi Gras
A Different Point of View
Untitled (Continuous Blooms Series)
Murphy Phelan | Portland, OR
2017 | Acrylic and Oil on Canvas
24" x 24" | $350
"Lacking the sufficient analytical abilities to address this ongoing series critically, one could describe it instead by saying the visible result of these paintings is 'the bloom'. 'The seed' then would be explained as a meticulous organization of suppressed subconscious feeling that has finally been released. An endless meeting of awkwardness and perfection similar to stepping in gum but also admiring the bubble formed beneath your shoe by the pressure of your steps." -Murphy Phelan
Untitled (Continuous Blooms Series)
Murphy Phelan | Portland, OR
2017 | Acrylic and Oil on Canvas
12" x 12" | $175
"Lacking the sufficient analytical abilities to address this ongoing series critically, one could describe it instead by saying the visible result of these paintings is 'the bloom'. 'The seed' then would be explained as a meticulous organization of suppressed subconscious feeling that has finally been released. An endless meeting of awkwardness and perfection similar to stepping in gum but also admiring the bubble formed beneath your shoe by the pressure of your steps." -Murphy Phelan
Untitled (Continuous Blooms Series)
Murphy Phelan | Portland, OR
2017 | Acrylic and Oil on Canvas
12" x 12" | $175
"Lacking the sufficient analytical abilities to address this ongoing series critically, one could describe it instead by saying the visible result of these paintings is 'the bloom'. 'The seed' then would be explained as a meticulous organization of suppressed subconscious feeling that has finally been released. An endless meeting of awkwardness and perfection similar to stepping in gum but also admiring the bubble formed beneath your shoe by the pressure of your steps." -Murphy Phelan
Zig Zag Wanderer
Sarah More | Bend, OR
2017 | Oil on Canvas
24" x 36" | $1,650
Inspired by the Willamette Valley and the Central Oregon High Desert, Zig Zag Wanderer incorporates shapes, patterns and colors that can be found throughout the state.
Untitled
Spatial Binary Five B
Nicholas Hullibarger | Oakland, CA
2016 | Wood, Paint, Space, Distance, Proximity
36" x 36" x 18" (installed proportions)
SOLD
Shades of Blue and Green
Natalie Christensen | Sante Fe, NM
2016| Photography
18" x 24" | $800
Archival ink jet print on diabond.
Topo 3
Thomas Roth | Santa Fe, NM
2016 | Mixed Media
24" x 30" x 5.5" | $1,700.00
Stretched Fabric over found objects on canvas. Sewn with fishline through the canvas. Stiffened and painted with white Gesso.
Topo 2
Thomas Roth | Santa Fe, NM
2016 | Mixed Media
24" x 30" x 4.5" | $1,700.00
Stretched Fabric over found objects on canvas. Sewn with fishline through the canvas. Stiffened and painted with white Gesso.
k82
Saritha Margon | Santa Barbara, CA
2015 | Ink jet on museo paper
13" x 19" (Framed) | $450
Digital Composition
Untitled
Armen Haghnazarian | North Hollywood
2017 | Acrylic and Silver Nitrate on Canvas
36" x 72" (Framed) | $2850
textured, silvered canvas that absorbs surrounding light and information. It's environment is reflected back in abstract form due it's uneven, turbulent surface. A semi-interactive work that changes with it's surroundings and turns viewer to subject.
Sphere 30
Blair Cahill | Ojai, CA
2016 | Polished Metal with Embroidery on Silk
24" x 36" x 45" | $9000
SHOP
Sphere 30 incorporates ten silk hoops which slice the sphere into layers while still adhering to the emotional directness of the shape. Each hoop is embroidered with its own design and corresponding hue, and the translucent material allows them to be seen separately or together, allowing for multiple interpretations and a new consideration of the eye’s obligatory need to integrate the various into the whole.
Flint and Oxide
Intersection (Large)
June Kim | Los Angeles, CA
2016 | Fiber Sculpture
2' x 6' x 6' | $24,000
"My sculpture is a surreal thread drawing in real space and allows people to experience my interpretation of social, cultural, and religious human connections in reality." -June Kim
Knots
June Kim | Los Angeles, CA
2016 | Fiber Sculpture
17" x 14" x 25" | $8,000.00
"My sculpture is a surreal thread drawing in real space and allows people to experience my interpretation of social, cultural, and religious human connections in reality." -June Kim
Intersection (small)
June Kim | Los Angeles, CA
2016 | Acrylic Sculpture
4" x 5" x 6" | $950
"My sculpture is a surreal thread drawing in real space and allows people to experience my interpretation of social, cultural, and religious human connections in reality." -June Kim
Intersection (white)
June Kim | Los Angeles, CA
2016 | Acrylic Sculpture
2" x 6" x 6" | $950
"My sculpture is a surreal thread drawing in real space and allows people to experience my interpretation of social, cultural, and religious human connections in reality." -June Kim
DT Works